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The Haunted Piano That Plays Itself

13 hours ago
4 min read

One note. No one near it. A whole house listening. That's the real ParaHouse property story in a nutshell.


The 1800s Ivers & Pond haunted piano in the shotgun hallway of the haunted 1905 ParaHouse property in Georgia, with a carved floral wood panel above its worn, yellowed ivory keys.
The 1800s Ivers & Pond haunted piano sitting in the real ParaHouse property. Photo ©ParaHouse.

It was late one October night in 2021, and the house was quiet — the particular quiet of an old house at night, when every board and beam seems to be holding its breath. Then, from the hallway, a piano key sounded.


Just one.

Not a melody.

Not a chord.

Not the slow slide of something falling against the keys.


A single, clear note from the 1800s piano that sits in the shotgun hallway of this 1905 house — my ParaHouse, in Georgia — played with no one near it, and no one touching it at all.


One note, and the whole house heard it

If you have never lived with a shotgun hallway, here is what you need to know: it runs

straight through the house, and sound travels down it the way water travels down a stream. There is nowhere for a sound like that to hide, and nothing else it could possibly be mistaken for.


The shotgun hallway of the real haunted ParaHouse property in Georgia.

That note rang through the whole house.


It was not a floorboard settling. It was not the house shifting in the cool October air, and

believe me, an old house gives you plenty of ordinary noises to learn by heart. This was a key — one key, struck once — on a piano that had been sitting in silence in the hallway.


I heard it with another witness. We knew what we heard. The hallway made sure of it.


The 1800s Ivers & Pond piano in the shotgun hallway of the haunted 1905 ParaHouse in Georgia, with a carved wooden floral panel above its worn, yellowed ivory key.s


The house that holds it

The ParaHouse is a historic property built in 1905, it ranks as a spooky spot for sure and it wears its age the way a person wears a life — in every worn threshold, every uneven board, every room that has held more than a century of other people's days and nights before mine.


Long before I ever called it ParaHouse, this house was somebody's home. Houses like this one do not empty out when people leave. They keep things. Sometimes they keep them quietly for years. And sometimes, on a late October night, they let one small thing slip.


A piano with a past of its own

The piano in my hallway was made by Ivers & Pond of Boston, a name you can still make out on the old rosewood above the keys. William H. Ivers began building pianos in 1870, and in 1880 he partnered with Handel Pond, an organist, to found the Ivers & Pond Piano Company. Their factory stood in Cambridgeport, in Cambridge, Massachusetts, with offices and warerooms on Boylston Street in Boston — and by 1905, the very year my house was built, that factory had grown to five six-story buildings and some 300 workers.


Ivers & Pond pianos were known for exactly what you can still see in mine: rich, exotic

woods and detailed cabinet work. Look at the carved floral wreath on the rosewood panel above the keys. Look at the keys themselves, yellowed and worn by generations of hands that are long gone now. This was never a plain instrument. It was built to be the heart of somebody's parlor — the most beautiful, most alive thing in the house.

Which is worth remembering when it decides, more than a hundred years later, to make

itself heard in mine.


Why one note stays with you

It did not keep playing. There was no phantom concert, no music drifting through the

rooms. There was one note — and honestly, I think one note is worse.


A song would be a performance. A single note is an announcement. It is the sound of

something letting you know it is there, and then stopping, because one note was all it

needed. I have thought about that October night in 2021 more times than I can count, and what stays with me is not fear, exactly. It is the certainty.


In a shotgun hallway, a sound does not get lost or softened or confused.

It arrives. And that note arrived.


Welcome to Tales from the Real Haunted ParaHouse

This is Episode One of Tales from the Real Haunted ParaHouse, a new series here at

ParaHouse Magazine where I share the true stories of this house — the things I have seen, heard, and lived with inside these 1905 walls. New tales will arrive once or twice a month, and if this old house has taught me anything, it is that it will not run out of material.


Has anything in your home ever made a sound it should not have made — a note, a step, a voice — when no one was there to make it?


Tell me in the comments. I read every one, and I have a feeling some of you have a hallway story of your own. Also, if you are a paranormal team who loves investigating new locations not yet filmed, let us know. We are open to having ParaHouse investigated to vetted ghost hunters.


Until the next tale — keep listening.


Ready for more spooky stories? Explore our print and digital magazines loaded with haunted pages.




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